‘This is about letting go. These are my balloons and I am leaving some things behind’ – Shannon Turnbull

Audience feedback is important to me as from this I can observe their reactions, understand any confustion that may have arised and establish an overall feel on what they thought of my performance. There are things I would have liked to have done better on the day, however due to windy weather I do not feel this obstructed or effected my performance in any way, if anything I think my performance benefited.

Post-performance, I asked some audience members to send me comments on what they felt worked, what they felt didn’t, how they felt at different times, did they establish an emotional connection and if they think the props worked throughout?

 

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After reading these comments, I appreciated their honesty and involvment and felt proud that I had accomplished my intentions. I made some people cry, smile and laugh, sing and even dance. I attracted attention from both the B&L building, the library and passers-by, interested in what I was doing, stopping to record and join in. I’m glad I excelled out of my comfort zone because I wanted to truly understand what it means to perform solo. I have enjoyed understanding various practitioners techniques in vocal delivery, creations of atmopheric settings, their use of multi-media and their continous progression from the start to achieve an exciting end performance, this has helped me in understanding that you shouldn’t rush and go with your first idea.. it should be a continour journey, exploring different possibilities.

From Spalding Gray’s notion of ‘being in the moment’ and Laurie Anderson’s use of emotional stimulation through music (both of which influenced my performance greatly), Solo Performance has shown me a different, more thrilling side of theatre in which a ‘one-man-show’ can entertain as much as a full-cast broadway show! Sometimes more is less.. I have enjoyed the long process from the creation of an idea, initial knock-backs and the changing of  ideas, the research behind practitioners, the research behind my own ideas with Bansky and quotations and finally the end performance which I hope benefited not only myself in the ability to actually let things go, start a fresh and say good-bye to Uni but also to my audience who I hope felt moved and empathy, towards my situation comparing it to theirs.

I leave this module behind with a quote (of course) that’s helped me in my time at Uni..

‘EVERYTHING IS OKAY IN THE END, IF IT’S NOT OKAY, THEN IT’S NOT THE END. NEVER A FAILURE, ALWAYS A LESSON’.

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Life is the greatest show on earth!

I performed The Little Girl and her Red Balloons on Wednesday the 15th May at 12 midday, on the University campus bridge to a crowd of around 30-35. I felt nervous, as anyone could imagine but I also felt excited. Excited at the fact I was performing outside wearing nothing but a dress, in such a public area. It was exhilarating to perform as Shannon but also as a Solo Performer, making the private, public knowledge. I wasn’t there to drone on about life/life quotes/sadness, I was there to perform aspects of my life in a reflective manner.

I trusted my narrative, however I enjoyed performing some improvised speech. Accommodating to my audience was something I felt I needed to do, to help them in understanding my intentions but to also include them. There were many people on the bridge who stopped, stared, joined in and recorded my performance and I appreicated the interest. At one point whilst I was shouting at the LPAC, releasing my frustration over essays, performances and dissertations, I asked.. WHO EVEN CARES ABOUT DISSERTATIONS?  One audience member responded with.. I CARE! This was humourous and I appreciated that someone felt comfortable enough to join in! I had to improvise and respond as I didn’t want to dismiss it and pretend it didn’t happen. Anything could happen in a performance and I wanted to incorporate improvisations in to make it more truthful. My performance wasn’t static as my audience followed me around the bridge as I moved around the area. Sometimes I was close (in their faces) and at others times I distanced myself, depending on my narrative. “Distance is always central to involvement in small shows, as when the physical distance is, in actuality, close, a special bond can develop between solo performer and viewer” (Reid 1997, p.6). I hope this bond was established in my performance, both whilst I was close to them and distant.

 

Here are some photos of my performance taken by audience members – (click on them to enlarge):

There were some things that went wrong in my performance but I feel I coped with them well and had to improvise on the spot. I wanted to let each balloon off singularly however as it was extremely windy, the strings got tangled and produced a big knot. I overcame this by using the balloons as a bunch rather than as singular problems. This worked and actually gave a bigger impact when I let them go, this was when I was thankful for the wind!

I also wanted to give out my song sheets for 5ive – Keep on Movin’, however there were too many people and if I stood there and gave them all out, this would have detracted from my performance. Instead, I let the audience give them out but was glad most of them already knew the song, hence why I chose a popular 90’s classic!

Overall, I felt my performance went really well and I was thankful for the turnout and support I recieved off my audience. There were very interactive when asked, yet fell silent at the right times. I’m happy that I trusted my up & down personality and delievered my piece in the mood I felt at that particular time.

 

WORKS CITED:

Reid, Gilbert (1997) You’ll become part of me: Solo Performance, Canadian Theatre Review, Issue 92, pp:5-10.

‘A well thought-out story doesn’t need to resemble real life. Life itself tries with all its might to resemble a well-crafted story’ – Issac Babel

The narrative of my performance came at a late stage. I knew what I wanted to say but I found it challenging to just sit there.. and write. I felt forced and I kept worrying about being too superficial and unnatural. I wanted my narrative to come from the heart, not constructed through pressure. Myself and some other Solo Performers met up discussed, helped and supported each others ideas and narratives which helped me immensely. To initiate the construction of my narrative, I gave my audience 3 motifs surrounding my performance: Hope/Aspirations, Letting go and Memories. From this I asked them to ask me questions about my life, what I feel, who I am and what I believe, this would be used to foreground my narrative and start the process of writing as it was to be recorded. Below are things I took from this recording in hope of catching something.

The first question I was asked threw me in at the deep end.. what is your biggest regret? Wow.. I didn’t know how to answer this one. I just sat there thinking silently. It was then when I appreciated silence because everyone was thinking, everyone was thinking different things and I wanted to elongate this a little bit more – strange I know, but this felt like an experiment for me. I answered..

My biggest regret is not something I have physically done, my biggest regret is something that is emotional and sometimes uncontrollable. It’s a part of my personality that sometimes I really don’t want. When something goes wrong or something bad happens, it’s the part of my personality that influences my reaction. I always want to please people and want to be liked.. I have a very up and down personality and this gives me advantages, however various disadvantages! But I feel that I have emotionally matured and that definitely comes with age.

How old do you think you’ll be when you think you’ll be happy?

I feel life is a blessing and ideally I would like to be 100% happy now. When you’re young, you have no responsibilities, you look better physically, you can do what you want. However on a more practical level, life gets better in your 40’s.. you have many life experiences that have taught you well and I think that even though ideally being ‘young’ is seen as better, it’s not until you have grown up that you really begin to understand who you are and what life is.

What was the best moment in your life?

There have been many but I would probably say the day when I saw Eminem live at V Festival in 2011. I was in a moment when I didn’t care what I had done before and I wasn’t thinking about what I was going to do after. I existed in only that moment and it was beautiful.. I was so bloody excited, I couldn’t stop crying the day before!

What was the worst moment in your life?

I don’t know, I don’t know if I could possibly list them all.. one time that sticks with me is, my dad nearly died 3 years ago. I was lied to for my own good and was told that he was in hospital for a routine check-up. I carried on with my life and went bra shopping one day with my mum and sister.. whilst I was in Debenhams, I received a call from my stepmum claiming that if my dad dies, it will be my fault as I’m out not caring. It was at this point I was told the truth, that my dad was seriously unwell and could possibly die. I was upset but understood that as there was nothing I could do about it, both my mum and dad had decided to keep it from me.. however, my step-mum decided to scream abuse and let me know that she was slitting her wrists on the phone whilst having this conversation. I have seen her do it before so I knew she was telling the truth. I didn’t know how to react, all I could think about was finding a bra as I DEFINITELY needed a bigger size! How absurd? I guess you can’t run away from the absurd. Life if absurd. I just kept thinking ‘all I need is my bra, not this!’ It was very surreal and it stayed with me for a long time as when my dad had got better, he didn’t believe me when I told him we had had that conversation. It upset me and I eventually fell out with him! To this day, he doesn’t ever want to discuss it.. 

It seems that in every serious event in your life, you find the positives and there’s always a funny thing that happens to you in the midst of chaos. Is there anything that you can incorporate this absurdity into your performance?

I don’t necessarily want my whole performance to be ‘absurd’ as that term is pretty ambiguous, however I want to use these hilarious moment in my life and drop them in to my narrative. You can spend your whole life regretting things and trying to change the way you react however, sometimes your initial reaction is the most natural reaction. It seems I have nice intentions but I have a mundane facade which I could use to fuel elements in my performance. Referring to life quotes, being negative and nostalgic will create a sad atmosphere however finding the funny parts in the narrative such as my bra mission, bra size, possibly singing one of my favourite songs will juxtapose the negative comments and create a happy and content atmosphere. I need to let go of somethings, so I guess I’m like Spalding Gray and need a cathartic release from some shit that has happened! Some audience members may feel it too, that’s what I like; the fact I won’t know as it’s so personal.

Will you miss Uni?

Wow, how cliché is this going to sound? Haha.. ‘I found myself here’. I literally have had the most amazing three years of my life and I don’t for one second regretting moving away and coming here! I get angry at the LPAC sometimes for the constant essays, deadlines, performances, feeback, DISSERTATION, meetings etc.. that we have to continuously do, but hey that IS what Uni is about! We pay for this so it is in our best interest to go to everything.. definitely sound like my mother, haha! I feel like when I leave Lincoln, I’m going to be leaving a little bit of me behind. I hope some lectures still refer to me, big headed I know but I have really enjoyed my time here. I’m going to miss the stability. I know I need to grow up and move on but when will I know when I am mature enough to move on? I’m going to be a big baby when I bloody leave! I feel like I’ll be leaving the bloody earth.

 

This conversation lasted around 45 minutes and after listening to it back, I wrote down significant things that were said and found a muse to writing my narrative. It will have to be re-worked but I feel that my emotion will dictate some of what I say on the day too. Everything depends on the weather, my audience and my emotions.

‘I can take any empty space and call it a bare stage. A man walks across the empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged’ – Peter Brook

My Performance Space.

 

After exploring bridges in Lincoln City centre, I am 100% set on using the University campus bridge as my location of performance. Here are some pictures I have taken of my performance space to initially show proximity. All sides are documented. (facing LPAC, water, cathedral, Business & Law building, etc).

 

Taken with back to LPAC. The performance space is exceptionally wide which will help include audience members and allow me to freely move.
Taken with back to LPAC. The performance space is exceptionally wide which will help include audience members and allow me to freely move.
This image was captured in the place I lay in a partof my performance. I have captured my eyeline and this is what I will see.
This image was captured in the place I lay in a partof my performance. I have captured my eyeline and this is what I will see.
This picture captures the width of the bridge from one side to another.
This picture captures the width of the bridge from one side to another.
This is where I will be when I shout at the LPAC and start my performance. It shows how long the bridge is and how far away the LPAC is, therefore vocal projection is important.
This is where I will be when I shout at the LPAC and start my performance. It shows how long the bridge is and how far away the LPAC is, therefore vocal projection is important.
This image captures one side of the bridge (otherwise known as the positive side) In the distance the cathedral is visible and creates a picturesque backdrop.
This image captures one side of the bridge (otherwise known as the positive side) In the distance the cathedral is visible and creates a picturesque backdrop.

 

WORKS CITED:

Pictures are all taken from my iPhone on 11/05/13. Copyrighted to Shannon Turnbull.

‘It is a cliché that most clichés are true. But then like most clichés, that cliché is untrue’ – Stephen Fry

Here are a selection of quotes I will be referring to in my narrative and that will also feature on the glass panels on the ‘bridge of life’. Some are famous, others well known and do not possess an author, some I have made up myself.

  • Don’t cry because its over, smile because it happened – Dr Seuss
  • You only live once, but if you do it right, once is enough – Mae West.
  • Today you are you, that is truer than true. There is no one alive that is youer than you – Dr Seuss
  • Life is like riding a bicycle. To keep balance, you must keep moving – Albert Einstein.
  • Life isn’t about finding yourself. Life is about creating yourself – George Bernard Shaw.
  • Life every day as if it’s your last.
  • Life isn’t about waiting for the storm to pass, it’s about learning to dance in the rain.
  • Never a failure, always a lesson
  • Life is to be enjoyed, not endured – Gordon B Hinckley.
  • But better to get hurt by the truth, than comforted with a lie – Khaled Hosseini.
  • Everything works out okay in the end, of it’s not okay than it’s not the end.
  • When life gives you lemons, drink tequila.
  • Where there is love, there is life – Mahatma Gandhi.
  • When life gives you a hundred reasons to cry, show life you have a thousand reasons to smile.
  • There is always hope.
  • Death ends a life, not a relationship – Mitch Albom.
  • Keep going and never give up.
  • Life is what you make it.
  • Dance like no one is watching, love like you’ve never been hurt. Sing like there’s nobody listening and live like it’s heaven on earth – William W Purkey.
  • In three words I can sum up everything I’ve learned about life: ‘It goes on’ – Robert Frost
  • Life is what happens to you when you’re busy making plans – Allen Saunders.
  • Reality continues to ruin my life – Bill Waterson.
  • Just when you think it can’t get any worse, it can. And just when you think it can’t get any better, it can – Nicholas Sparks.
  • You cannot find peace by avoiding life – Virginia Woolf.
  • A life spent making mistakes is not only more honourable, but more useful than a life spent doing nothing – George Bernard Shaw.
  • I don’t know the question but sex is the answer – Woody Allen.
  • Things change and friends leave. Life doesn’t stop for anybody – Stephen Chbosky. 
  • The most important thing is to enjoy your life, to be happy, it’s all that matters – Audrey Hepburn.
  • The flower that blooms in adversity is the rarest and most beautiful of all – Walt Disney.
  • Life can only be understood backwards; but it must be lived forwards – Soren Kierkegaard.
  • Don’t part with your illusions. When they are gone, you may still exist, but you have ceased to live – Mark Twain.
  • Don’t be afraid of death; be afraid of an unlived life. You don’t have to live forever, you just have to live – Natalie Babbit.
  • When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school, they asked me what I wanted to be when I grew up. I wrote down ‘happy’. They told me I didn’t understand the assignment, and I told them they didn’t understand life – John  Lennon.
  • The more I see, the less I know for sure – John Lennon
  • Backstabbers are only good, when you’ve got your back turned – Eminem.
  • Why didn’t I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future – Jonathan Foer.
  • A learning experience is one of those things that says, ‘You know that thing you just did? Don’t do that – Douglas Adams.
  • People come, people go – they’ll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past – Nicholas Sparks.
  • It sounds cliché but success is your friends, your family, what you do and if you are happy when you wake up.
  • Life will throw many hurdles. Just learn to jump and run.
  • Forever isn’t long enough for what we have.
  • School will always be the best days of your life.
  • One life. Live it.
  • Live the life you love. Love the life you live.
  • Happiness is knowing who you are and being content with any flaws.
  • A confident girl is a happy girl.
  • Happiness comes from within, not the make-up you wear, the clothes you buy, the people you desire to be like. Happiness comes from the heart you own.
  • Happiness doesn’t cost a thing.
  • Money doesn’t grow on trees.
  • It doesn’t matter who hurt you or broke you down, what matters is who made you smile again.
  • Don’t change to make someone love you, be yourself and let the right one fall for you.
  • It is what it is…it was what is was.
  • Just because something good ends doesn’t mean something better won’t begin.
  • Time decides who you meet in life, your heart decides who you want in you life and your behaviour decides who stays in your life.
  • The past is the past. There’s a reason why some people didn’t make it to your future.
  • If you don’t accept me at my worse, then you sure as hell don’t deserve me at my best – Marilyn Monroe.
  • Keep your head up high gorgeous, some people would kill to see you fall.
  • Keep calm and carry on.
  • Sometimes we become so focused on the finish line, that we fail to find joy in the journey – Dieter F. Uchtdorf.
  • Pretending to be happy when you’re in pain is just an example of how strong you are as a person.
  • Crying doesn’t mean you are weak, it just means you’ve put up with the pain for too long.